Gus Solomons jr

Brief Biography

Gus Solomons jr (Dancer/Choreographer/Writer/Actor) - created the title role in Donald Byrd's The Harlem Nutcracker (1996-99); directs PARADIGM, a repertory dance company; is an Arts Professor at NYU/Tisch School of the Arts; writes about dance for Dance Magazine, Gay City News, DanceInsider.com, Metro Daily; has an Architecture degree from M.I.T.; danced in companies of Pearl Lang, Donald McKayle, Martha Graham, and
Merce Cunningham, et al. In 2000, Solomons won a Bessie (New York Dance and Performance Award) for Sustained Achievement in Choreography; in
2001, he was awarded the first annual Robert A. Muh Award from M.I.T. as a distinguished artist alumnus; he bicycles everywhere.

Paz Tanjuaquio

Biography

PAZ TANJUAQUIO (Choreographer/Dancer), born 1966 in the Philippines, has been creating dances in New York City since 1990. Her background in visual arts led her to further explore ideas in the form of movement and choreography. Her work has been presented locally at such venues as Performance Space 122, Dance Theater Workshop’s Fresh Tracks Series, Danspace Project at St. Mark’s Church, Movement Research at the Judson Church, Aaron Davis Hall, Symphony Space, Dixon Place, Joyce SoHo Presents, Thelma Hill Performing Arts; and nationally at Godt-Cleary Projects in Las Vegas, Philadelphia Fringe Festival, and Ohio University. She has created two evening-length works "TWELVE" (2001) commissioned by Performance Space 122, "Strange Fruit and Other Secrets" (1999) at Merce Cunningham Studio and plans to create a new work based on “Soundless Music” by Yoko Ono.

Recent awards include a 2004 New York Foundation for the Arts BUILD/Homer Avila Memorial Award, two Individual Artist Awards from Queens Council on the Arts, and Dance Theater Workshop’s Suitcase Fund where she participated in the Mekong Project’s Cambodia Creative Residency 2004 and artistic research travel in Vietnam 2003. She has been artist-in-residence at the Akiyoshidai International Art Village in Japan, The Yard at Martha’s Vineyard, Atlantic Center for the Arts in Florida, Bennington College in Vermont and Movement Research in New York. As a dancer, she is currently a company member of Molissa Fenley and Dancers, performing in Fenley’s solo and group works since 1997. She was a company member of Marlies Yearby’s Movin’ Spirits Dance Theater from 1991-96 and has performed in the works of Maureen Fleming, Margarita Guergue, Clarinda Mac Low, Stephen Petronio, Kevin Wynn, Christalyn Wright, Stefa Zawerucha, among others.

She received her MFA in Dance from New York University Tisch School of the Arts, and her BA in Visual Arts from University of California, San Diego. She is Co-Director of TOPAZ ARTS, Inc.


 

 

Gretchen Ward Warren

Biography

GRETCHEN WARD WARREN has been a Professor of Dance in the College of Visual and Performing Arts at the University of South Florida in Tampa since 1983. Prior to this, she was Ballet Mistress of American Ballet Theatre II in New York for five years, working closely with Richard Englund and Mikhail Baryshnikov in the recruitment and training of young dancers from across the country.

From 1965-76, she danced as soloist with the Pennsylvania Ballet, touring nationally and performing leading roles in a diverse classical and contemporary repertoire that included works by Petipa, Fokine, Limon, Balanchine, and Van Manen. She has studied ballet pedagogy in England and the USSR and has taught teaching seminars throughout the United States and Canada, as well as in Europe. Ms. Warren has been a member of the summer faculty at the Boston Ballet School, at Canada's National Ballet School in Toronto and the Banff Centre School of Fine Arts in Canada. Among the many other schools on whose faculty she has served are The Australian Ballet School, the Interlochen Arts Academy, the Ballet Aspen (formerly, Ballet West) Summer Dance School, the Kansas City Ballet Summer School (Crested Butte), and the Ballet Austin Academy (Texas). She has also taught at the National Ballet School of Cuba.

Since moving to Florida, she has choreographed seventeen ballets and been the recipient of a number of grant awards for a variety of creative endeavors. Her documentary, "To Dance...", a film on young men who choose dance as a career, appeared on public television in the spring of 1989. Her large, photographic textbook, Classical Ballet Technique (417 pgs., 2700 photographs, Foreword by Robert Joffrey) was published by the USF Press in November 1989. It is now in its seventh printing and distributed internationally. In 1999, it was honored by Amazon.com as their bestselling title among books on dance notation. Her latest book, The Art of Teaching Ballet: Ten 20th Century Masters, (University Press of Florida, 1996) profiles ten great ballet teachers from around the world. Also a bestseller, it was recently translated into Japanese and published in Tokyo.

In addition to her work as teacher and choreographer, Ms. Warren is also a member of United Scenic Artists and has designed costumes for many dance companies including American Ballet Theatre, Pennsylvania Ballet, Les Ballets Jazz de Montreal, and the Miami City Ballet. She is listed in Who's Who in America, has served as a consultant-site visitor for the National Endowment of the Arts Dance Panel, as Ballet Adjudicator for the Spokane Music Festival, and as President of the Florida Dance Association. Currently, she serves as a dance assessor for professional ballet training institutions funded by the Department of Canadian Heritage.

In addition to her two books, Ms. Warren has also written for DANCE MAGAZINE, DANCE TEACHER NOW, POINTE magazine, THE ST. PETERSBURG TIMES entertainment section, and for public radio WUSF-FM in Tampa. In 1997, she was awarded a Fulbright Senior Scholar Fellowship to Australia, where she spent six months teaching ballet, lecturing on American dance, and conducting research on contemporary Aboriginal dance companies. Subsequently, she wrote and directed a large dance-theatre production "Dancing with the Wheel of Ever Returning," which brought Aboriginal dancers from Australia to work with Native American and modern dancers in Florida. Tampa's Weekly Planet designated it "Best Theatrical Event" for 2001 in the Tampa Bay area. She is the 2002 recipient of the Selma Jeanne Cohen Lecture Award for International Scholarship in Dance from the Fulbright Association and a 2003 recipient of a Presidential Scholar Award from the University of South Florida. Most recently, she presented the keynote speech at the 2005 Annual Seminar for Ballet and Modern Dance Teachers at Canada's National Ballet School.