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Guatemala 2010 Master of Arts in Spanish

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Summer Academic Program in Spain: July 4 - August 2,2008

Depending upon their needs and preparation, graduate participants may select from six to nine units of academic coursework from the following four areas: Spanish Peninsular Literature, Latin American Literature, Linguistics, and Hispanic Civilization and Culture. Only two 200-level courses may be taken per summer. First-year students may wish to take only six units as they adapt to intense graduate study their first summer. It is expected that participants will attend all classes and special functions and speak only Spanish throughout the entire program. Due to the intensive nature of the program, students are strongly advised to begin reading for all literature and culture classes several months before the program begins.

Housing and Meals: By prior arrangement, participants will be assigned to private homes upon arrival in Valladolid. Host families normally have room for two (and occasionally three) participants. The price of homestay lodging includes three meals per day and laundry service. Meals that are not specified in the cost of the program during the cultural tour are to be paid for by the participant.

Course Offerings

Click on the course title to view its' syllabus.

Upper Division Courses

Spanish 123: Spanish Peninsular Literature. Topics in literature from Spain offered as needed. Typical topics are: Spanish novel through the Golden Age; 19th and 20th century Spanish novel; Spanish drama from the Middle Ages to the Golden Age; Spanish Contemporary drama. Note: May be repeated for credit provided topic is not repeated. Prerequisite: Spanish 100 (3 units)

Spanish 134: The Short Story in Latin America. The Short Story in Latin America. Development and trends of the short story in Spanish America, beginning with an overview of the genre, its characteristics, and history. Selected readings from main demographic areas of the continent, with emphasis on the twentieth-century canon and new developments among younger, contemporary authors. Prerequisite: Spanish 100 (3 units)

Spanish 152: Civilization and Culture of Spain. Civilization and Culture of Spain. Reading and discussion of Spanish history, geography, anthropology, sociology, political science, economics, folklore, music, art, and dance as these areas relate to Modern Spain. Prerequisite: Spanish 100 (3 units)

Spanish 199: Special Problems. Individual projects or directed reading. Note: Open only to students who appear competent to carry on individual work, and enrollment will be limited to hardship cases. Prerequisite: Approval of the faculty member with whom the work is to be conducted, the advisor, and the Department Chair.
(1-3 units)

Graduate Courses

Spanish 201B: History of the Spanish Language.
(3 units) Historical evolution of the Spanish language from Vulgar Latin to the present day with special emphasis on the phonetic and morphogical changes involved in this evolution. Some attention will be devoted to Old Spanish readings as well as the differences between Old and Modern Spanish. Knowledge of Latin is helpful, but not required. Prerequisite: Linguistics 130, Spanish 102, Spanish 103; or equivalent.

Spanish 201D: Applied Spanish Linguistics. Application of linguistic theory, principally to the areas of language teaching and learning acquisition. Occasionally the application of linguistics to other fields may be examined. Prerequisite: Linguistics 130, Spanish 102, Spanish 103; or equivalent (3 units)

Spanish 220B: Spanish Literature in the Golden Age. Specific topic from this period will be chosen for intensive study as announced. Prerequisite: Spanish 100 and an upper division course in Peninsular Literature; or equivalent (3 units)

LITERATURA ESPAÑOLA  DE LOS SIGLOS DE ORO (220B)

Valladolid, Julio 2009

Profesor: Elisa María Domínguez de Paz

Contacto

Elisa María Domínguez de Paz

Despacho nº8. Departamento de Literatura Española y Teoría de la Literatura.

Facultad de Filosofía y Letras. Universidad de Valladolid

Teléfono: 983 423000 – ext. 6814

Correo electrónico: elisa@fyl.uva.es

Índice del programa

I.                El petrarquismo en España : Gracilaso de la  Vega Égloga I y sonetos

II.              La superación del petrarquismo en el siglo XVI: Fernando de Herrera:Canción en alabanza de la divina majestad y  sonetos

III.             Los inicios de la novela picaresca: Lazarillo de Tormes

IV.             El Ingenioso hidalgo don Quijote de la Mancha( Estudio de los Prólogos y selección de capítulos)

V.              El Buscón de Quevedo

VI.             El Teatro Nacional español: Lope de Vega, El arte de hacer comedias

 Fuenteovejuna:    

VII.            El Lindo Don Diego de Agustín Moreto

 

1 SEMANA

LUNES

Primera hora: Introducción al petrarquismo en  España, ilustrado con textos de Petrarca y Boscán.

Segunda hora :Claves petrarquistas en la obra poética de Garcilaso de la Vega y debate con los alumnos

MARTES

Primera hora: Égloga I y las claves poéticas utilizadas por Garcilaso en esta composición

 

Segunda hora: 

Debate con los alumnos sobre la lectura de la ¨´Egloga I  y comienzo  del estudio de los sonetos

 

MIÉRCOLES

Primera hora: Continuación sonetos de Garcilaso e inicio de las claves de la poética herreriana

Segunda hora

Continuación  y  Estudio crítico de los sonetos herrerianos

 

JUEVES

Primera hora: Debate con los alumnos acerca de la lectura de los sonetos  de Herrera Canción en alabanza de la divina majestad

Segunda hora:

 Continuación con la Canción…

Debate con los alumnos acerca de  la concepción poética de Fernando de Herrera en relación con la obra de Garcilaso

VIERNES

 

Primera hora: Introducción a la novela picaresca española estudio del Prólogo de Lazarillo y comienzo del capítulo I

Segunda hora: continuación del  estudio pormenorizado del capítulo I.

Y debate con los alumnos

 

 

2 SEMANA

Primera hora: Estudio de los capítulo II, III y VII de Lazarillo

Segunda hora: continuación y debate con los alumnos sobre la lectura de Lazarillo

Primera hora : Conclusiones crítico-literarias  sobre la aportación de Lazarillo

Segunda hora

Introducción al barroco

Primera hora

Introducción al Quijote

Segunda hora: Continuación Introducción al Quijote

 

Primera hora: Continuación Introducción…y debate con los alumnos sobre distintos aspectos de la lectura del libro Segunda hora:

Estudio del prologo de la edición de 1605

Primera hora y media:  examen parcial eliminatorio  de la materia vista hasta el momento

Segunda media hora

el prólogo de Avellaneda  de la edición de 1614

3 SEMANA

Primera hora Comienzo del segundo prólogo del Quijote.

Segunda hora: Continuación del segundo prólogo y debate con los alumnos

Primera hora:

Estudio del capítulo VIII de la primera parte

Segunda hora : Estudio del capítulo XLVIII de la primera parte del Quijote y debate con los alumnos

 

 

Primera hora: Estudio del capítulo XLI de la segunda parte  Segunda hora:

Estudio del capituloLIII de la seguna parte .

Primera hora

 

 Estudio del capítulo LXXIV de la segunda parte  Segunda hora

Quevedo como novelista: Introducción al Buscón y debate con los alumnos

Primera hora

Estudio sobre el Buscón

Segunda hora

Conclusión y debate con los alumnos

4 SEMANA

Primera hora

Teoría de la comedia Nueva:El Arte nuevo de hacer comedias 

Segunda hora : continuación y debate con los alumnos

Primera hora.

Estudio crítico sobre Fuenteovejuna

Segunda hora

Continuación y debate con los alumnos

Primera hora:

Conclusión sobre Fuenteovejuna

Segunda hora

Elciclo de Calderón : Agustín Moreto e introducción a su obra

Primera hora

Estudio de El lindo don Diego

Segunda hora

Continuación y debate con los alumnos

Examen final de la materia impartida

 

Evaluación

 

Asistencia a clase + participación en el aula: 20%
Examen final: 40
Presentación: 40%

I. GARCILASO DE LA VEGA

Ediciones

 

VEGA, G., , Obras completas con comentario (ed. de Elias L. RIVERS), Madrid, Castalia, 2001.

 

 

II. LA SUPERACIÓN DEL PETRARQUISMO: FERNANDO DE HERRERA

Ediciones

HERRERA, F., Poesía castellana original completa (ed. de C. CUEVAS), Madrid, Cátedra, 1985.

 

 

III. LA CREACIÓN DE LA NOVELA PICARESCA. LAZARILLO DE TORMES

Ediciones

 

La vida de Lazarillo de Tormes y de sus fortunas y adversidades (ed. de A. RUFFINATTO), Madrid, Castalia, 2001.

 

IV. EL QUIJOTE

Ediciones

 

CERVANTES, M. de, Don Quijote de la Mancha (ed. L. A. MURILLO), Madrid, Castalia, 1978.

 

V. FRANCISCO DE QUEVEDO Y EL BUSCÓN

Ediciones

 

QUEVEDO, F. El Buscón (ed. de P. JAURALDE POU), Madrid, Castalia 1990.

 

VI. LOPE DE VEGA, TEÓRICO TEATRAL Y DRAMATURGO

Ediciones

 

VEGA CARPIO, F. L. de, ------, Fuente  Ovejuna (ed. de Francisco LÓPEZ ESTRADA), Madrid, Castalia, 1996.

 

VIII.        EL LINDO DON DIEGO DE MORETO

Ediciones

 

MORETO, A. , El lindo don Diego (ed. de F. P. CASA y B. PRIMO RAC), Madrid, Cátedra, 1978.

 

BIBLIOGRAFÍA SELECTA

 

CASA, F.P. , Estudio introductorio del Lindo D. Diego, edicón de Cátedra 1978, citada.

CASALDUERO, J., Sentido y forma del “Quijote”, Madrid, Ínsula, 1966..

FROLDI, R., Lope de Vega y la formación de la comedia. En torno a la tradición dramática valenciana y el primer teatro de Lope, Salamanca, Anaya, 1968 (ed. or.:1962).

JOSÉ, J. de, Teoría sobre los personajes de la comedia nueva en cinco dramaturgos, Madrid, CSIC, 1963.

GALLEGO MORELL, A., En torno a Garcilaso y otros ensayos, Madrid, Guadarrama, 1970.

GARCÍA DE LA CONCHA, V., Nueva lectura del Lazarillo, Madrid, Castalia, 1981.

LAPESA, R., La trayectoria poética de Garcilaso, Madrid, Revista de Occidente, 1985 (3ª ed.)

LÁZARO CARRETER, F., Lope de Vega. Introducción a su vida  y a su obra, Salamanca, Anaya, 1966.

LÁZARO CARRETER, F., “Originalidad del Buscón” (1961), en Estilo barroco y personalidad creadora, Madrid, Cátedra, 1974, pp. 77-98.

MACRÍ, O., Fernando de Herrera, Madrid, Gredos, 1972 (2ª ed.)

MÁRQUEZ VILLANUEVA, F.,  Personajes y temas del Quijote, Madrid, Taurus, 1975.

MOLHO, M., Introducción al pensamiento picaresco, Salamanca, Anaya, 1972.

PARKER, A., Los pícaros en la literatura, Madrid, Gredos, 1971.

RICO, F.,  La novela picaresca y el punto de vista, Barcelona, Seix Barral, 2000 (1ª ed.: 1970).

RILEY, E. C., Introducción al Quijote, Barcelona, Crítica, 1989.

RIVERS, E. (ed.), La poesía de Garcilaso, Barcelona, Ariel, 1974.

ROZAS, J. M., Significado y doctrina del “Arte nuevo” de Lope de Vega, Madrid, SGEL, 1976.


Spanish 224B: Spanish-American Literature, 1825-1880.
(Updated since printed brochure.) Independence (1825) through 1880. Covers the following movements: Romanticism, Realism, and Naturalism, and deals with selected authors. Prerequisite: Spanish 100 and an upper division course in Latin American Literature; or equivalent (3 units)

Spanish 250A: Civilization and Culture of Spain. (Updated since printed brochure.) Seminar examining aspects of the national character and personality of Spain as revealed through Hispanic social and literary studies from prehistory to 1700. Prerequisite: Graduate status with fluency in understanding, speaking, reading and writing contemporary Spanish. (3 units)

Spanish 299: Special Problems.
Individual projects or directed reading. Note: Open only to students who have the required number of units in residence and who appear competent to carry on individual work. Enrollment will be limited to hardship cases. Only 3 units of upper division or 3 units of graduate division credit will be accepted for any one degree in Spanish. Prerequisite: Approval of the faculty member with whom the work is to be conducted, the advisor, and the dep+artment chair (1-3 units)

Spanish 500: Culminating Requirement. Completion of a thesis, project or comprehensive examination. Note: Open only to students who have been advanced to candidacy and have secured the permission of the graduate coordinator. (Graded Credit/No Credit, 3-4 units).

Courses will be taught by Dr. Edward Baranowski, Dr. Mario Blanc, Dr. Wilfrido Corral,
Dr. Maria Mayberry, and faculty from the University of Valladolid.


For prerequisites and other requirements, visit www.csus.edu/fl/spanish/welcome.htm
or consult the Sacramento State catalog.

Units: Program fees include 0-6 units of academic credit transferable to most accredited universities. Students may enroll in an additional three units of course work at an additional cost of $225 per unit payable to Sacramento State. A maximum of nine units may be earned overall, but no more than two 200-level courses can be taken in a given summer.

Advancement to Candidacy: Returning students who have completed at least 18 units and a minimum of four seminars must be advanced to candidacy by the Office of Graduate Studies so that the College of Continuing Education can enroll them in Spanish 500 (Culminating Experience) for the summer program. Please fill out the Advancement to Candidacy form available at www.csus.edu/gradstudies/forms.htm and send it to the graduate advisor no later than February 1, 2009. Contact the graduate advisor if you have any questions about how to fill out the form.

Contact

For questions regarding the Master of Arts in Spanish Program, contact:

Dr. Edward Baranowski
Coordinator, Spanish Master’s Program
(916) 278-6336
ebaranowski@csus.edu

 

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