the preface to A Short History of Irish Literature, Seamus Deane writes
that story of Irish literature is one of "literary tradition which has undergone
a series of revivals and collapses, all of them centered upon an idea of Ireland.
Sometimes the Ireland we speak of is an Edenic, sometimes it is a Utopian place.
On other occasions, it is a rebuke to both. There is a constant fascination with
discrepancy between the Irish world as imagined and the Irish world as it is,
and this eventuates, time and againin a critique of the idea of authority."
This course will explore these ideas of an Eden before and after the fall and
the critique of authority by reading various Irish myths and works from the eighteenth,
nineteenth, and twentieth centuries, centering on the accomplishments of the "Irish
Renaissance" (1885-1940). Representative figures will include W.B. Yeats,
James Joyce, Patrick Kavanagh, Flann O'Brien, John Synge, Sean O'Casey, Sean O'Faolain,
and Frank O'Connor. Irish literature is not a subset of British literature, it
is it's own distinct entity, and the class will emphasize the idea of these works
as expressions of an ethnic literature.
M--9/1--LABOR DAY HOLIDAY
W--9/3--OVERVIEW (Historical Overview)
M--–9/8–OVERVIEW & Andrew Carpenter, "Double Vision in Anglo-Irish
Literature" (see web site for article); "The Old Woman of Beare" (PBIV, 62);"Maguire
and MacDermot"; Laoiseach Mac an Bhaird, "'Civil
Irish' and 'Wild Irish'"
W--9/10--David O'Bruadair, "The Change," "Eire," "O'Bruadair," "The New Style," "O, it's Best to be a total Boor," "A Shrewish, Barren, Bony, Nosey Servant"; "Kilcash" (PBIV, 69); Egan O'Rahilly, "Grey Eye Weeping" (71)
of Brightness" (72); Eileen O'Leary, "The Lament for Art O'Leary" (78);
Stephen Bonnycastle, "Postcolonial Criticism and Multiculturalism" (see web
site for article); James Clarence Mangan, "Dark
Rosaleen" (PBIV, 149), "O'Hussey's
Ode to the Maguire," (151);
W--9/17--William Butler Yeats, "To Ireland in the Coming Times" (18), "September 1913" (38), "Easter, 1916" (83) (Easter Proclamation; more legible version; "Wearin o the Green")
W--9/24---"The Second Coming" (89), "Nineteen Hundred and Nineteen" (115), "Parnell's Funeral" (172)
Municipal Gallery Revisited" (193), "Under
Ben Bulben" (199)
W--10/1--Seamus Deane, "Introduction" (see web site for article); Patrick Kavanagh, "The Great Hunger"
W--10/8--James Joyce, Dubliners--"The Sisters," "Eveline," (Joyce on epiphany) FIRST PAPER DUE (bibliographic info for citing poems in works cited) Example of successful paper
M--10/13-- Mock Midterm
W--10/15–MIDTERM (sample of successful midterm)
M--10/20--"Ivy Day in the Committee Room," "The Dead"; John M. Synge,
The Playboy of the Western World
W--10/29--William Trevor, Fools of Fortune
W--11/5--" " *** SECOND PAPER DUE *** (Topics for second paper)
M--11/10–Brian Friel, Translations
W--11/19--Seamus Heaney, "Digging," "Requiem for the Croppies," (postcolonial response)
M--11/24--"Bog Oak," "Anahorish"
M--12/1--"The Other Side," "Viking Dublin," "Act
W--12/3--"The Toome Road," "Flight Path,"
M--12/8--TAKE HOME FINAL DUE
W--12/10--"First Confession" Last Day of Instruction
final course grade will be based on:
|1 essay midterm (blue book required)|
*To miss any of the assignments above will result in an automatic failure of the course. NO EXCEPTIONS.
"The Old Woman of Beare"
Who is the old woman?
2.) What is her situation?
3.) What is the point of the sea imagery?
4.) What is the speaker referring to at the bottom of p. 63 when she says she's "Now among stinking hags"?
"Maguire and MacDermot"
1.) The poem asks us to compare to figures; how is the
2.) The poet claims "it is justice gone askew to compare them. . . . " Explain this remark.
3.) When the poet calls Maguire a "stinking-gummed half-blind oaf," what is going on?
4.) How are the possessions of each man described; what is revealed through these?
5.) Is there a personal element to all this; if so, what is it?
"‘Civil Irish' and ‘Wild Irish'"
1.) Another comparison poem; what are
being compared here?
2.) What's the point of the discussion of hair?
3.) What is the point of discussing clothing and personal possessions?
4.) What is the real point of this poem?
1.) What theme(s) runs
throughout these six poems?
2.) Explain the extended metaphor in "Eire."
3.) What is the point of the catalogue of names in stanza three of "Eire"?
4.) Explain what's going on in "O'Bruadair"; isn't this just an exercise in shameless self-pity?
5.) What is the point of stanza three?
6.) Who is the Craftsman mentioned in stanza four; what is the point here?
7.) If the eponymous "O'Bruadair" seems sill-tempered, then "O It's Best to be a Total Boor" is positively dyspeptic; what is going on here?
8.) Why is he complaining about people's attire?
9.) Why is he so nasty in "A Shrewish, Barren, Bony, Nosey Servant"?
10.) The invective is overdone--is it not--what is the purpose here? Is this a difficult poem to read; if so, why?
What is the subject of this poem; what is the poet talking about? What specifically
2.) What point is the poem making? For instance what is the point of the references to the timber in l. 1 or the gates in l. 10 or the ducks and geese in l. 17?
3.) Explain the structure of the poem; how could we describe the movement between stanzas?
"A Grey Eye Weeping"
is Valentine Brown?
2.) What is the subject of the poem?
3.) What is the grey eye of the title and which is mentioned in the penultimate line?
"Brightness of Brightness"
1.) What does the title refer to?
2.) What is it that the poet is told in stanza three?
3.) Who is it the poet approaches in stanza four?
4.) Where does the poet arrive in stanza six?
5.) What ultimately does the poet learn or realize?
"The Lament for of Art O'Leary"
Explain what the basic structure of the poem is?
2.) What is the gist of the sister's two stanza interruption beginning on p. 81?
3.) What is the importance of the two stanzas on p. 82 which address themselves to Morris?
4.) Is there anything familiar about stanza sixteen on p. 83?
5.) What is the point of the stanza at the bottom of p. 83 and that on the bottom of p. 85?
JAMES CLARENCE MANGAN
Who is dark Rosaleen?
2.) What is the pont of the mention os the Pope and Spanish ale in the first stanza?
3.) What is the relationship of the poet to his subject?
4.) Does this poem remind us of anything we have already encountered?
5.) Who is the speaker of "O'Hussey's Ode to the Maguire"?
6.) Consider the poem's imagery.
7.) How is "the Maguire" described; is this reminiscent of anything?
"To Ireland in the Coming Times"
Who is the company the poet refers to in l.2?
2.) Who is the her of "the red-rose-bordered hem"?
3.) In stanza 2 the poet identifies with Davis, Mangan, and Ferguson, but he also announces a difference; what is that difference?
4.) What is the poet asserting in stanza three; does this contradict his ideas in the two earlier stanzas?
1.) Who is
the "you" of the first stanza; who in general is the poet addressing?
2.) Who is O'Leary?
3.) Who are the "they" of the second stanza?
4.) Who are the "wild geese" of the third stanza and the various figures mentioned?
5.) What is the point of the last stanza; what are the "you" saying about the "they"?
"On Those That Hated "The Playboy of the Western World," 1907"
1.) Who is the Juan mentioned in
2.) Who are the "they" mentioned at the poem's end?
"In Memory of Major Robert Gregory"
1.) What is the tower the
poet refers to in first stanza?
2.) Who are the "discoverers" and "companions" mentioned?
3.) Who is the Lionel Johnson of stanza three and what is the poet saying about him?
4.) How and why is Synge memorable?
5.) How and why is George Pollexfen memorable?
6.) Why is Robert Gregory compared to Sidney in stanza six; what is the point?
7.) Consider the respective point of stanzas seven to ten; what is each saying?
8.) In sum what is Yeats saying about Gregory; why such a long meditation on his death? How and why was he important to the poet?
1.) Who is the "them" referred to in l. 1?
2.) What is the poet describing in the first stanza: what's going on here?
3.) What does he mean when he says, "Being certain that they and I/But lived where motley is worn"?
4.) Who are the figures described in stanza two: the woman who once rode, the man who kept a school, the helper and friend, and the drunken lout?
5.) Whose hearts, in stanza 3, have "one purpose alone," and what is that purpose?
6.) What is the poet referring to with the lines, "Enchanted to a stone/To trouble the living stream"?
7.) Collectively, what is the point of the images in stanza 3; do they have some symbolic significance?
8.) Explain the importance of the stone image in stanza 4.
9.) What is the poet questioning in stanza 4?
10.) What does the poet refer to when he asks, "And what if excess of love/Bewildered them till they died"?
11.) What has been changed or transformed (the poet repeats these assertions at various points in the poem)?
12.) What is the "terrible beauty [that] is born"; explain this paradox.
"The Second Coming"
1.) What is the point of stanza one; what sense of
things do we get here?
2.) What does the poet mean with the lines, "The best lack all conviction, while the worst/ Are full of passionate intensity"?
3.) What is the Second Coming referred to in the second stanza?
4.) What is the rocking cradle referred to in l. 20?
5.) What "rough beast" is the poet referring to in the penultimate line?
"Meditations in Time of Civil War"
1.) Who is the "violent bitter man" referred
to at the beginning of stanza three on p. 103?
2.) What has this person done?
3.) What does the subtitle "Ancestral Houses" refer to?
4.) What is the point of the second section, "My House"?
5.) Who is the "man-at-arms" referred to in the last stanza of this section?
6.) What is the importance of the sword described in the "My Table" section?
7.) What is the point of the reference to Juno's peacock at the end of this section?
8.) Up to this point is there anything that unites these first three sections of the poem?
9.) What is the poet's concern in the "My Descendants" section?
10.) What is the concern in the next section ("The road at my Door")? Who is the "affable Irregular"; the "brown Lieutenant"?
11.) Up to this point the poet has mentioned cows, owls, moor-hens, etc; in the next section ("The Stare's Nest by my Window") he mentions a bird and bees. What is he getting at with these repeated references to animals and insects?
12.) Why does the poet plead for the bees to build a hive in the bird's empty nest?
13.) How does the stanza in the last section ("I See Phantoms") prepare us for those that follow; what is happening here?
14.) What is the point of the anecdote mentioned in the stanza at the top of p. 108; look esp. at the poet's response in the last line.
15.) What is the point of the stanza about the unicorns and ladies?
16.) And what is the point of the next stanza?
17.) What is the poet left with; where is he emotionally and intellectually at the end of the poem?
"Nineteen Hundred and Nineteen"
What is the point of referring to the Athenian sculptor Phidias is stanza one?
2.) The next two stanzas refer to things in the past; what is the point here; if something no longer exists, what is that?
3.) What are the "dragon-ridden" days referring to in the fourth stanza? Has something replaced something else?
4.) Who is the "he" referred to in the next stanza; what is his plight?
5.) What is the point of the next stanza; who are the incendiaries and bigots?
6.) How is dance imagery important in the next stanza?
7.) In comparing the soul to a swan that plays or rides, what is the poet getting at?
8.) What is the major concern in section III?
9.) What is the point of section IV?
10.) Who is the us referred to in the first stanza of section V; what is this "us" doing?
11.) What is the audience left with in the last section; what is the resolution to the situation the poet describes throughout the poem?
1.) Who is the "Great Comedian" referred to in
the first line?
2.) Is there anything striking or significant about the setting?
3.) Although the image is confusing, what seems to be the general point of the image of the boy in the tree in stanza two?
4.) Who is the "quarry" referred to in stanza three; and what is the point about "an age is the reversal of an age"?
5.) Who or what is the poet addressing in the first line of the fourth stanza and what is his point here?
6.) In section II the poet lists a number of people and speculates on what would have happened if they had eaten Parnell's heart. What is he getting at in offering these speculations; what is important about Parnell? Is he a contrast to these other figures in some way?
7.) What is the point of the reference to Jonathan Swift at the end?
"The Municipal Gallery Revisited"
1.) What is happening in sections I and
2.) Why is the poet overcome in section II & IV?
3.) What is the poet saying in section V; what end is he referring to?
4.) What is the poet expressing in the next section by invoking the names of Lady Gregory and Synge and what do you make of the line, "Dream of the noble and the beggar-man"?
5.) Who is the "you" mentioned in section VII?
"Under Ben Bulben"
1.) In stanzas 1 & 2 the poet is swearing by different
things; what are these?
2.) What does he mean with the line in section II that "They [grave-diggers] but thrust their buried men/ Back in the human mind again"?
3.) What is the point in section III; is this the same Yeats who abhors violence?
4.) In section IV the poet mentions various painters and sculptors; what is his point here? Look closely at the first stanza in this section.
5.) What is his advice to poets in section V; what kind of art and what kind of subjects is he advocating? Who, in particular, is he addressing?
6.) How do you interpret the last three lines of the poem?
"THE GREAT HUNGER"
1.) Explain the poem's title--what is the great hunger?
2.) Who is this person Maguire and what is his significance?
3.) What strategies does the poet use to reveal Maguire and his world?
4.) What is the point of the use of the flashback?
5.) Analyze the significance of the poem's setting.
6.) What is the significance of eh references to religion?
7.) Look at section VIII, what is the poet suggesting about rural life and how might this be significant?
1.) What is the importance of the boy's dream on pp.11 & 13?
2.) What is simony and how does it figure in the story?
3.) What is Father Flynn's importance; does he represent anything?
4.) Are the sisters important in a symbolic way?
5.) Given Joyce's conception of artistic epiphany, what is the story's epiphany and for whom?
1.) What are we to make of the fact
that the street Eveline lives on is changing?
2.) Is it in any way important that the major developer is a "man from Belfast"; what is the importance of this detail?
3.) One critic has argued that Eveline has "no capacity for love"; do you agree?
4.) Why doesn't she board the ship despite her earlier resolve to do so?
5.) What point might Joyce be making either about Dublin or Ireland or both together?
"A Little Cloud"
Who is Little Chandler; how are we to respond to him?
2.) Are we to share chandler's opinion of Gallaher; explain why or why not?
3.) Chandler dreams of being a poet; what is poetry for this man; why does he want to be a poet?
4.) In the last paragraph Chandler has "tears of remorse start...to his eyes: explain this passage. What are these tears in response to?
"Ivy Day in the Committee Room"
1.) What is going on here? Granted there is
little action, but what is taking place?
2.) Who is Henchy and how is he important?
3.) Who is Crofton?
4.) Who is O'Connor?
5.) Who is Hynes?
6.) What is Joyce's point in offering these various individual portraits? Is there some point he is working toward, some theme he is dramatizing?
Joyce originally planned to conclude Dubliners w/ "Grace" in the ms.
version of 1906. However, he wrote "The Dead" in 1907, and the collection
was eventually published as we find it in 1914. Analyze how "The Dead"
is like or fits w/ the stories that precede it.
2.) Analyze how the story is unlike or atypical of those which precede it.
3.) What role does Miss Ivors play in the story; why does Joyce include her?
4.) Given our discussions of epiphany, how is this important in this story? Who has an epiphany and what is the nature of it?
5.) What is meant by the sentence on p. 223, "The time had come for him to set out on his journey westward'?
6.) What is the importance of the snow imagery, esp. at the close of the story?
7.) To whom does the story's title refer?
PLAYBOY OF THE WESTERN WORLD
1.) Who are these
Mayo people Synge depicts in the early portion of the play before Christy Mahon
arrives: Shawn Keogh, Pegeen Mike, Michael James Flaherty, Philly Cullen, etc?
What are we to make of this community?
2.) Is there anything familiar in the Christy--Pegeen Mike--Shawn Keogh--Widow Quin quadrangle? consider other works we've read this semester?
3.) What are some of the play's major themes?
4.) How and where does Synge use irony?
5.) Explain the meaning of the title?
6.) Is this a comedy; why or why not?
7.) How would you characterize Synge's treatment of the Irish peasant?
FOOLS OF FORTUNE
1.) Who is the Michael Collins who visits the family a couple times before
the estate is burned?
2.) Events in this novel take place in a specific area of Ireland. What is the view of life here and how are the Quintons situated in their village world? Trevor is writing a particular type of Irish novel; do you know what that is?
3.) What appears to be Trevor's view of the Troubles of 1920-21; what is the legacy of those times?
4.) Explain the use of the shifts in narrative point of view.
1.) Explain the play's title. What are the "translations" and what are the implications of these?
2.) What does Maire represent; how is she important to the play's cultural and thematic considerations?
3.) Consider Hugh's role in the play. How is he important and what does he represent?
4.) Explain the importance of Sarah, especially her struggle to speak.
5.) What is the play's point; what is all this about?
Heaney Poems (pdf version of questions; pdf version of poems)
1.) What is the point of all the details about the poet's father at work in stanzas two through five?
2.) What is the point of the details about the grandfather in stanza six.
3.) Explain stanza seven; where are we in time?
4.) Consider the opening and closing lines that relate to the poet. Who is he, what is his relationship, besides kinship, to the men he describes and the work they perform?
5.) Consider the poem in cultural, more specifically postcolonial terms, how is this indicative of a postcolonial situation?
"Requiem for the Croppies"
1.) In the first line the reader is introduced to an "our" and the pronoun "us" is invoked throughout. Who is this "us"?
2.) Explain the lines two to four.
3.) Explain the point of the four lines that follow the colon at the end of line six; what is the poem talking about here?
4.) What is going on in lines eleven and twelve?
5.) Explain the significance of the final line.
6.) What kind of poem is this; consider it in terms of postcolonial ideas we have discussed.
1.) Explain the title; what is this?
2.) Look at the details of this "carter's trophy" in the first two stanzas; what is the point of these details? Where are we?
3.) Who are these "mustached dead"; what is this section about?
4.) What is the meaning of the line about no ‘oak groves'?
5.) What does Edmund Spenser have to do with anything (go on the net or to a reference source and learn something about his biography)?
6.) Explain the poet's position in the poem; where is he, what is his relation to his subject?
1.) Explain the first stanza and a half. What is the poet talking about here?
2.) Explain the next five lines after the italicized repetition of the title.
3.) What is he talking about in the last stanza?
4.) Relate this poem to the first; what is the point here?
"Guests of the Nation," Frank O'Connor
1.) Examine the story's structure; how are events organized and related, and what effect does this structure have on the audience and our reading of the tale?
2.) Discuss Jeremiah Donovan's character and his role in the tale.
3.) Look closely at the old woman in whose house the soldiers stay. What is her function in the story; is it important?
4.) How does the method of narration contribute to the effect of the story?
5.) Which postoclonial concerns do you see elaborated here?
Vision in Anglo-Irish Literature"--A. Carpenter (pdf
version of essay)
(bibliographic citations for critical essays)
1.) What is Carpenter's thesis?
2.) Thematically what is the result of the double vision Carpenter describes?
3.) What is the effect of such a lit on the reader?
4.) What does Carpenter mean by the term "Anglo-Ir"; who are these people?
5. How might Carpenter explain the phenomenon of divided loyalties (a charge frequently brought by nationalists again many Iriszh writers)?
"Introduction," Seamus Deane (1990) (pdf version of essay)
1.) What is
2.) What is "Field Day" and what are its aims?
3.) How does Deane view the relationship between England and Ireland?
4.) As Deane describes them, what are some of the central concerns of postcolonial research?
"Postcolonial Criticism and Multiculturalism," Stephen Bonnycastle (pdf version of essay)
What is the emphasis of Frantz Fanon's discussion of colonial domination in The
Wretched of the Earth?
2.) Explain Fanon's notion of the Other?
3.) Explain the point of mono/multiculturalism.
PDF copy of syllabus available here.
ADDITIONAL IRISH TITLES here
Unanthologized poems here
Irish gods and goddesses here
PDF copy of Key Terms here
Brief History of Ireland here
Brief chronology here
PDF copy of MLA Quick Reference Guide here.
Citing Poetry Texts here