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Art 116 :: Topics in Modern & Contemporary Art |
Readings:
- Susan Landauer, “Valley of the Dots: The Early Years at UC Davis,” from Of Dogs and Other People: The Art of Roy De Forest, 2017
- Jacquelynn Bass, “To Know the Place for the First Time: Interpreting Joan Brown,” in The Art of Joan Brown (1998)
- James Yood, "Gladys Nilsson," 1993
- Lowery Stokes Sims, "Scholder's Figuration: Art and Culture in American Art"
- Jonathan Fineberg, Robert Arneson, "Identity and Embodiment, 1961-1969
- Susan Landauer, “Countering Cultures: The California Context (An Overview)”
- Elaine O'Brien, "Bad Ideas, The Enigma of Stephen Kaltenbach"
- Robert Hughes, "The Poet of Pastry: Wayne Thiebaud"
- Joann Moser, "What's It All Mean, William Wiley?"
- Constance Lewallen, A Rose has No Teeth (Bruce Nauman)
- Ella Diaz, RCAF Flying Under the Radar (Introduction)
- Peter Janssen, “DQU: Their Own Place in the Sun”
- Peter Selz, "The Native American Experience" (from chapter 3 on "Racism, Discrimination, and Identity Politics"
- Peter Nabokov, "Pacific Western Traders"
- Peter Selz, “Funk” catalog essay
- Susan Landauer, “Having Your Cake and Painting It Too”
- Robert Morris, “Anti Form” (1968)
- Marcia Tucker and James Monte, Anti-Illusion: Procedures/Materials
- Gail Levin, “Becoming Judy Chicago”
- George Lipsitz, “Not Just another Social Movement: Poster Art and the Movimiento Chicano”
- John Fitz Gibbon, “Irving Marcus: A Way With MayHem”
- Jack Ogden, “Irv Marcus: Romance and Disaster,” 2006
- Christine Giles and Katherine Plake Hough, “Bill, Bob, and Bill”
- Jonathan Fineberg, “Chicago and Points West,” “West Coast Pop,” and “Robert Arneson”: selections from Art Since 1940
- NEW!: Guide for Conducting Research Interviews
- NEW!: Interview Consent Form
How to do a research interview
Art Collection Catalog
John Fitz Gibbon: Sacramento State Art Department History
Artwalk: Campus Public Sculptures
List of Artworks for the Catalog Essay
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Sacramento State
