A group of fish swims beneath the grate: yellow and gray-white and red. They are caged, I am told, so that the cranes will not land and steal them for their meal. A handful of white cranes sway in the picnic area pond, oblivious to the bread crusts floating around their legs, spongy and distended, flung by underdeveloped children hoping to tempt the birds into eating. The fish look at me with their black spotted eyes, crowding to the surface, mouths forming an expectant "o" over and over again. Stimulus and expectation, hunger and fulfillment, premise and conclusion, a chain of reasoning grounded in repetition: countless discrete individuals piteously feeding the caged, suckling fish, paternal benevolence in the swish of a hand. Mouths continue chanting rhythmically. These are greedy fish. I want to crouch down and reach my fingers through the lattices of the wire, grabbing hold of one around its fat belly. I will hold it with both hands as it squirms against the dryness of the world I have brought it into, the slime and ammonia from its scales threading through my fingertips. Noticing that I am still here, the man who knows about the cranes approaches. His pants stretch and billow out at the knees where he has been leaning all day cleaning out aquatic tanks, the smell of stale water and algae soaked into his forearms. Sweat mats his t-shirt to his back and causes the clumps of gray hair rooting at his temples to jut out perpendicularly from his forehead and bob as he walks. He reaches into his pocket and removes a quarter, extending it towards me. He smiles and asks if I too would like to feed the fish, flopping his wrist towards a heavy bubblegum machine welded into the ground at the foot of the bridge. Grainy paint flecks cling to his stubble, haloing around his face. His clothing is covered with larger dots of paint. He nods and pushes the quarter and his palm towards me again. He is friendly and generally a good soul who loves his family and has found something to enjoy in his work. I decide not to like him. I take the quarter and deposit it into the machine. The handle turns with a crack-clack and salty, brown pellets pour into my hand. They leave a gritty residue on my palm. I close my fingers around the pellets, but the sweat in my skin activates the smell, sawdust and rotting fish burning its way into my nostrils. I am suddenly reminded of fattened cows gorging on the processed remains of the herd and wonder if these fish too are cannibalizing on their brothers. I lean my hand over the railing and the pellets flake away into the waiting mouths of the fish. There are tanks and tanks of tropical and freshwater fish here at the aquarium and a number of outdoor displays, but no salmon. I know because I have asked. Inside, I stared and stared at the jellyfish: viscous, translucent globules stretching and glowing and reaching out with their umbilical arms. My face pressed against the convex belly of the glass, children huddled around my legs, scratching themselves against my skirt, levering themselves around the observational tanks for a better view: rubbery faces contorting with amazement and disgust, leaving prints on the glass from damp fingers and mouths. And the half-formed jellyfish floating in the uterine darkness of the water, oblivious to their audience. Outside, the sun shines brightly, but my eyes register only the fluorescents of ceiling lighting and the cool breeze is haled away by medical smells: latex and talcum powder. I was told: I am healed; the procedure a success, the barnacle scraped away. Nearby, the man with the cranes and the quarter is explaining the origins and derivations of scientific fish naming: Aequidens Rivulatus, Poecilia Reticulata, Capoeta Oligolepis, Capoeta Titteya, Carassius Auratus--barbs, guppies, and goldfish no longer. An extended lecture on naming variations linking and separating genera, species, family. Prefixes a heteroglossia of Latin and Greek. Suffixes laid out with Latin regularity: "atus," "atum," "epis." Names branch and blend amongst familial relations like characteristics. My name will not carry on. I have made sure of that. Under the bridge, the fish continue to flap away in the pond.
Copyright © 2005 by Calaveras Station and the CSUS English Department.