The Gothic Spirit

 

HRS / LIBA 234                    Spring Semester 2004                       T 5:30-8:20 pm, SQU 450        

Candace Gregory                                                                              Office: TAH 3059

Email:  cgregory@csus.edu                                                               Tel# 278-3824

Webpage: http://www.csus.edu/indiv/g/gregoryc/                                Office Hrs:  MTW 10-11 am

                                                                                                                        and by appointment.

 

Required Texts:

D. E. Luscombe, Medieval Thought

Umberto Eco, Art and Beauty in the Middle Ages

Otto Georg von Simson, Gothic Cathedral

Albert Seay, Music in the Medieval World

Dante / trans. John Ciardi:       Inferno, Purgatorio, and Paradiso

 

Course Description and Goals:

The Gothic Spirit. Arts and ideas of the twelfth and thirteenth centuries in Western Europe, structured according to the principle of the "reconciliation of opposites." The Gothic period sees such opposites as faith and reason, vertical and horizontal (in architecture), counterpoint brought into harmony (in music). The period culminates in Dante's masterpiece the Divine Comedy, which exhibits the reconciliation of opposites in such sets as female/male, faith/reason, human/divine, beauty/horror, and chaos/harmony. Cross-listed as LIBA 234; only one may be counted for credit. 3 units.

 

Requirements:

This is a discussion seminar.  As graduate students you are expected to come to each class having read the assigned material and prepared to discuss it. Readings are assigned daily and are to be done BEFORE you come to class.  All work is due on the assigned date; NO LATE WORK WILL BE ACCEPTED. 

 

There will be two oral reports.  The first is scheduled for the first month of class on a philosopher assigned to you by me (a presentation of 10 minutes in which you give a very brief biography of the philosopher, a summary of his major ideas, and turn in a bibliographic list of major works by that philosopher (you may also include, in a separate section, works about him).  The second oral report will be a 10-15 minute presentation on an article (assigned by me) about some aspect of the Commedia; this will be due throughout the Dante readings. Most of your grade is based on a 15-20 page research paper on a topic of your choosing, due at the end of the semester.  Mid-semester each student will present (5 mins) on their topic and turn in a working bibliography.

 

Attendance:

Attendance is mandatory and will be checked daily.  You are allowed to miss Two classes over the course of the semester. Each subsequent absence will result in a loss of FIVE points from your final grade.  If you miss more than four classes, you will receive an F for the course.  Naturally, there are sometimes extenuating circumstances.  Each student must see me personally (or via email) if that is the situation.

 

Tardy:

Tardiness will not be tolerated.  You are allowed to be tardy three (which is defined as arriving after the class roll has been called); after three, you will lose five points from your final exam grade for each subsequent tardy.  More than five tardies will result in an F for the course.  If you are late to class, or must leave class early, please be as quiet and unobtrusive as possible. 

 

Final Grade Components:

50%                 Research Paper (10-12 pps, double spaced, typed), including bibliography

15%                 Oral Report on Philosopher

15%                 Oral Report on Dante

20%                 Overall Class Participation

 

Grading Scale:

A         93-100                                     C         73-77                          

A-        90-92                                       C-        70-72

B+       88-89                                       D+      68-69

B         83-87                                       D         63-67

B-        80-82                                       D-        60-62

C+       78-79                                       F          59 and below                                                              

 

Cell Phones:

Please turn off all cell phones or beepers before class begins.  If your cell phone rings in class, you will be asked to leave and will be counted absent for that dayıs class.

 

Integrity and Scholarship:

DO NOT CHEAT!  If you are caught cheating on a writing assignment, test, the final exam, or a daily quiz, or any other assigned work, you will receive an F for the course.  You are held accountable for all university guidelines in regard to plagiarism and cheating.

 

Plagiarism:

³Plagiarism‹the use of anotherıs personıs ideas or wording without giving proper credit‹results from the failure to document fully and accurately.  Ideas and expressions of them are considered to belong to the individual who first puts them forward.  Therefore, when you incorporate ideas or phrasing from any other author in your paper, whether you quote them directly or indirectly, you need to be honest and complete about indicating the source to avoid plagiarism.  Whether intentional or unintentional, plagiarism can bring serious consequences, both academic, in the form of failure or expulsion, and legal, in the form of lawsuits.  Plagiarism is a violation of the ethics of the academic community.²  William G. Campbell, Stephen V. Ballou, and Carole Slade, Form and Style:  Thesis, Reports, Term Papers, 6th edition (Boston:  Houghton Mifflin, 1982), p. 52.   For more information on plagiarism, and how to avoid it, go to:

http://www.Indiana.edu/~wts/wts/plagiarism.html

 

This syllabus can and may be changed at any time.  Live in fear.

 

Week 1:  27 January             Introduction to the class, discussion of what is meant by Gothic

 

Week 2: 3 February              Philosophical Background: 

Plato, Aristotle, Augustine, and Boethius

Read Luscombe, Chaps. 1 and 2

 

Week3: 10 February             Eleventh Century Philosophic Revival to Aquinas

                                                            Read Luscombe, Chaps. 3-5

                                                           

Week 4: 17 February            Student Presentations on Philosophers

 

Week 5: 24 February            The Gothic Aesthetic

                                                            Read Eco, Chaps. I ­ VI

                                                Paper Topics Due

 

Week 6:  2 March                  More Aesthetic

                                                            Read Eco, Chaps. VII - XI

 

Week 7:  9 March                  Gothic Architecture

                                                            Read:  von Simson, Chapters 1-4 and 7

 

Week 8: 16 March                 Music in the Medieval World

                                                            Read Seay

 

Week 9: 23 March                 And so it Begins:  Dante:  Inferno, Cantos I -XVI

 

Week 10: 30 March               Dante: Inferno, Cantos XVII-XXXIV

                                                Presentation of topics / Working Bibliography due

 

Week 11: 6 April                  Spring Break

 

Week 12:  13 April               Dante:  Purgatorio, Cantos I -XVII

 

Week 13: 20 April                Dante:   Purgatorio, Cantos XVIII-XXXIV

 

Week 14: 27 April                Dante:   Paradiso, Cantos I-XVII

 

Week 15: 4 May                    Class Canceled

 

Week 16: 11 May                  Dante:  Read Paradiso, Cantos XVIII-XXXIII

Papers Due